This week TheNoShitMovieCritic looks at two films that came in under the radar, despite a few notable names. Read on for reviews of 2:22 and The Dinner.
Well it’s here and fans can breathe a sigh of relief. Marvel Studios finally got to make its own Spider-Man movie: Spider-Man: Homecoming, directed by Jon Watts and staring Tom Holland, Michael Keaton, Jon Favreau, Zendaya, Marissa Tomei and fan favorite Robert Downey Jr. as Iron Man. It’s full of great Marvel characters and moments. There is no doubt fans finally have a Spider-Man movie to be proud of.
Everybody’s messing around inside everybody’s head this issue, whether it’s an evil consciousness taking over someone’s brain, false memories being implanted all over the place, or….whatever the heck Bumblebee is.
See below for preview pages and a review of Till All Are One #11.
Alice fell down a rabbit hole to Wonderland. Dorothy was whisked away to Oz by a tornado. Wendy, Michael, and John flew away to Never Land with Peter Pan, and Harry Potter could just go to Platform 9¾ whenever he needed to enter the wizarding world. Literature is full of examples of children who stepped (or fell. Or were dragged) into one of many different variations of fairyland..
Some children when they return are happy to have escaped alive. Most grow up and remember their adventure as a childhood daydream. A few get to stay in fairyland forever. Seanan McGuire’s Hugo-nominated novella Every Heart a Doorway is set in Eleanor West’s Home for Wayward Children, a school for those travelers who’d do anything to go back.
Michael Bay’s (apparently) final Transformers movie was a marvel of special effects and glorious, beautiful explosions. A lot of people really didn’t like it.
Guest columnist Narrator26 weighs in.
Michael Bay’s latest installment into his much-maligned Transformers series rolled out this past weekend to serve yet another overlong feast of bloated robot mayhem. And with Bay finally vacating the director’s chair after this entry, one might be forgiven for thinking that he would try to go out on a high of sorts; predictably though, that’s not the case.
By guest columnist k.e.n.n.y.h.
Ha ha, I like it. Not a lot….I don’t like it…
Psych! I liked it.
Illumination has given us their fourth film in the Gru-iverse (that may not be a thing, but you heard it here first) with Despicable Me 3 – The Redemption of the Minions (…okay, I made up the second part, but it’s strangely accurate.)
Rodimus comes up with a solution and it’s astoundingly creepy, Ultra Magnus is being all dramatic, and I don’t even know who Tailgate IS anymore.
See below for a preview and review of Transformers: Lost Light #7.
Father Earth did not always hate life, the lorists say. He hates because he cannot forgive the loss of his only child.
The first book of The Broken Earth series introduced us to the earthquake-prone world of Stillness, plus the orogenes who calm earthquakes, and the Fulcrum Guardians who keep the orogenes in line. It was also where we met the orogene Essun, who lost her childhood family…and then her ties to the Fulcrum, and then her new family, and then another family after that, until all she has left is her dying former lover Alabaster and the impossible task that he’s just dropped in her lap…
…right after he cracked the world in half. As bad as things were in Book 1, in Book 2 they’re about to get much worse.
I have never consistently read an Aquaman book. I’ve got nothing against the character, I just wasn’t interested in him. But I knew Dan Abnett (the writer behind….look just go look at his wiki page, dude’s written everything you like) was writing it, and I knew I should give it a look. And then I heard Stjepan Sejic (Sunstone, Switch, a freaking gorgeous deviantart page) (lightly NSFW link there) had the art, and I threw money in their direction, sight-unseen. I’m incredibly biased when it comes to Stjepan, so rather than a review, see below for a lot of incoherent hyperventilating. This issue is gorgeous.
Hands up, anyone who knows the difference between a novelette and a novella. Anyone? Okay, a novelette is a work of fiction that clocks in at anywhere from 7500 – 17500 words; basically it longer than a short-story but shorter than a novella. Everyone take notes because there’ll be a test later.
This year the Hugo novelette division features six very strong entries (well, five, and one that wins for humor at least), covering the range from Partly Sci-Fi to Mostly Fantasy to whatever category you want to attach to Stix Hiscock’s story. Click the jump for a brief review of the Hugo 2017 nominees for Best Novelette.