In our continuing coverage of Oscar-nominated films, guest reviewer 420filmclub has a look at Father, starring Anthony Hopkins and Olivia Colman, and has been nominated for six Oscars.
One of the finest psychological horror films I’ve ever seen. There’s no need for blood, jump scares or supernatural chills here; it’s the realistic horrors of dementia that suffice to make it a nightmare. One that took some time to shake off.
There are many people behind the movie who need mentioning. Editor Yorgos Lamprinos puts every piece exactly where it belongs, pulling so many subtle tricks on the viewer to maximise the experience. Tiles switch places, rooms change, and most of the time it’s impossible to gauge whether it’s night or day. Everything is so effectively discombobulating that I felt deeply connected to Anthony and his experience. Thus, the genius.
As for Anthony Hopkins (playing another Anthony), it’s fascinating to watch his face at work. The almost imperceptible movements of his mouth and eyebrows to convey emotion, the million ways in which he blinks, scowls or hesitates.
Olivia Colman, playing Anthony’s daughter, matches her co-star’s bravado and escalating anxiety with expert restraint. The audience feels her pain as sharply as we do Anthony’s.
Last but not least, The Father is written and directed by Florian Zeller, adapted from his own acclaimed play Le Père (2012).
A jarring experience and a deeply empathetic portrait of human suffering. I want to watch it again, but also I don’t.
🌟🌟🌟🌟🌟 5/5
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