The fourth book in Frédéric Brrémaud and Federico Bertolucci’s “Love” series will be available next month, but we’ve got a quick look at it today. The art is as gorgeous as the other three volumes, and the story is just as in depth (and downright depressing) as we’ve come to expect from this series. See
By guest columnist Ben Zuk. So here we are, a new year, with new movies to be watched in the church we like to call a cinema. One of its greatest priests Martin Scorsese releases the passion project he’s laboured hard to get on the screen for longer than I’ve been alive. A sense of anticipation and
Happy New Year everyone! Let’s ring in 2017 with a review of Anne Rice’s latest installment in the Vampire Chronicles. The previous book in this series ended with Lestat becoming the host of the ancient force that connects all vampires throughout the world. The famous Brat Prince is now Prince Lestat, linked to the spirit Amel – who
By guest columnist David Leninhawk. “Passengers” has an interesting concept for a story. In the future, Earth has become overpopulated and too expensive to live on. A corporation has developed a new revenue stream out of colonizing distant planets, recruiting people to move there for free in exchange for paying 20% of their future earnings
The fifth book in Max Gladstone’s Craft Sequence series came out months ago, and I read it immediately, and then put off writing the review so long I felt I had to re-read it to remember everything I wanted to say. And I didn’t mind one bit. See below for a review of Four Roads
Short review this week on account of holidays and travel, but I never like to let an issue of this book go by without a mention, because it’s terribly, terribly pretty. See below for a few words and preview pages from Transformers: Till All Are One #6.
If you like your Holiday Specials with less Santas and elves and more death and disembowelment, this would be the book for you. See below for a review of Lucifer #13.
Bonus Star Wars book review! This week’s random pick falls somewhere between Chuck Wendig’s recent book for the new movies, and Timothy Zahn’s no-longer-canon trilogy from the 90’s. Greg Bear released this one in 2000 as a follow-up to The Phantom Menace, a film which I’m sure a lot of people wish wasn’t canon anymore.
Netflix’s newest supernatural drama “The OA” has jumped into our queues, and on a whim I called it up. And then blew through it way faster than I expected. And I honestly don’t know if I can recommend it or not. (No spoilers, but I do talk around the edges of several scenes, so if