Let’s face it: The Rock is awesome. And pretty much everything he does is awesome, good or bad. So when it was announced that he was doing the Baywatch movie based on the television show which ran eleven seasons from 1989-2001, and it was getting this 21 Jump Street movie treatment, where they poke fun
Once again Disney sets sail with another installment in the hugely popular Pirates of the Caribbean franchise. With their fifth film, Pirates of the Caribbean: Dead Men Tell No Tales, Johnny Depp and Geoffrey Rush reprise their roles as Jack Sparrow and Hector Barbossa, respectively. Also staring are newcomers to the franchise, Javier Bardem as Armando Salazar, Brenton
Four million years in the past Jetfire wonders if he’s on the right side, while in the present Marissa Faireborn and the President wonder the same darn thing. See below for preview pages and a review of Optimus Prime #7.
By guest columnist thenoshitmoviecritic. With Jonathan Mostow, director of the 2003 Terminator 3 movie, and an estimated $17 Million budget it is hard to put this in the low budget category; so let’s not, although it feels like it at times.
By guest columnist Caleb Luther. Covenant simultaneously feels like Alien, Aliens and Prometheus, which both works for the movie and hurts the movie.
Time to get a slice of cherry pie and pour yourself a cup of damn fine coffee (and hot!) This Sunday brings us the long-awaited continuation of the Twin Peaks series, twenty-five (well, twenty-six)(almost) years after the original series ended, leaving us with many, many unanswered questions. In preparation for the new episodes, Mark Frost has given us The
Shirtless Bear-Fighter from Image Comics is over-the-top, intentionally offensive, raunchy, cheesy, campy, and totally ridiculous. It’s also, not surprisingly, really fun. The humor will seem very familiar if you’re a fan of parody adventure movies like Hot Shots and just about every Leslie Nielsen movie out there. It’s got all the tropes: a baby raised by wild
About every ten years or so new filmmakers like to remake/reboot/reimagine classic tales, folklore or novels. Typical examples are Tarzan, Robin Hood, and the legend of King Arthur. This year is no exception, with a brand new telling of the King Arthur legend in King Arthur: Legend of the Sword. But this time around it’s directed by the
By guest columnist Film_Tacs. I was under the assumption that The Circle was a thriller – as advertised – but I was wrong. So if you go into the theaters expecting such, you will be disappointed, but for more than one reason.