By guest columnist KataKinema. The Post tells the true story of The Washington Post’s publisher, Katharine Graham (Meryl Streep), and editor, Ben Bradlee (Tom Hanks), who have to overcome their differences and all other obstacles in order to expose a massive cover-up of government secrets to the public, risking their career and their freedom. In
By guest columnist k.e.n.n.y.h. Challenge: Watch this film and then try to drive home normally and not like you’re a getaway maniac juiced up on hard rock and coffee (I may/may not need a lawyer soon)…
By guest columnist dyron_rises A month after it was released I finally saw The Shape of Water, the latest feature film from visionary director Guillermo Del Toro (Cronos, the Hellboy films, Pan Labyrinth, etc.), a unique blend of fantasy, sci-fi, romance and Cold War intrigue.
It’s officially a tradition: for the past three years I managed to watch all the Oscar-nominated Documentary Shorts. Mostly because, hey, short. (Come on, you can dominate a whole category in three hours!) But they’re never boring. Depressing as hell sometimes, but never boring. It’s not a comfortable three hours, but it’s always interesting. Click
By guest columnist narrator26 As someone who knew next to nothing about Winston Churchill, I went into Joe Wright’s Darkest Hour in hope of a good history lesson, in addition to a well crafted film. Thankfully, I got my fair share of both.
Remember how I said a couple weeks ago that I’d gotten spoiled and greedy because we had two Lost Light issues in a month and now I didn’t want to wait 30 days for the next issue? Well it’s been two weeks and we just got a new issue. So now I’m really spoiled and
The rules of the school are simple. Heal. Hope. And if you can, find your way back where you belong. No solicitation. No visitors. No quests. It’s lucky that the students at Eleanor West’s Home for Wayward Children aren’t used to following rules, because in Seanan McGuire’s latest story in the Hugo Award-winning Wayward Children
By guest writer TheNoShitMovieCritic. Jessica Chastain’s previous role in 2016’s Miss Sloane no doubt assisted her ability to nail this performance. In short, if a fast-talking, dialogue-heavy, crime biography drama is what you seek, this one comes media recommended and entertaining on that level.
The one truth you need to know about the end of a machine is that the closer they are to death, the more they act like people. And you could never trust people. The long-feared robot uprising finally happened, and humanity lost. More than lost actually; it’s been wiped out. The last human left was